Red Markers, Fractured Time

My practice interrogates the boundaries between the built environment, time, and the visual languages we use to define space. Working within the realm of minimalist digital art and deconstructivist - inspired photography, I reduce architectural forms to their essential bones: grid-like textures, sharp angles, and intersecting planes. At the heart of the composition, distorted clock faces sit like fractured markers of time—their circular forms warped and pulled by the rigid geometry around them. The desaturated gray palette grounds the work in the industrial reality, while bold red lines act as both markers and disruptors—they trace edges, highlight connections, and create a visual tension that pulls the eye across the composition. These red accents are not just decorative; they represent the invisible frameworks that shape our relationship to both space and time—blueprints, safety lines, ticking seconds, the unspoken boundaries we navigate daily.